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Let the Dark Flower Blossom, by Norah Labiner
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Praise for Norah Labiner:
"A splendid, leisurely meditation on the meaning of fame, identity, and love."--Kirkus Reviews, starred review
"Labiner, narrating in several distinct and haunting voices, proves herself a metafictional adept. She succeeds in crafting an ambitious, poignant and sharp-tongued novel filled with secrets and ghosts, jealousy and love."--Publishers Weekly
Sheldon and Eloise Schell are twins, orphans, and the estranged college companions of the rich, scandalous, celebrated Roman Stone. Now Roman is dead, murdered with a pair of scissors in his living room, and Eloise and Sheldon must separately tease out the secrets--a burning house, a murdered girl--that were the one story they could never tell.
Moving between the muffled plush of wintry Chicago, the fogbound darkness of a Lake Superior island, and the even darker precincts of memory, Let the Dark Flower Blossom is a book about the pull of the closed door. It is about the small pleasure of being right, the tremendous thrill of doing wrong, and the lengths writers will go to--lie, steal, kill--to get the perfect story.
Norah Labiner is the author of three novels: Our Sometime Sister, Miniatures, and German for Travelers. She has received a Minnesota Book Award for Literary Fiction and fellowships from the Minnesota State Arts Board, the Bread Loaf Writers' Conference, and the National Endowment for the Arts. Her work has been recognized by the American Library Association, the Jewish Book Council, and the Barnes & Noble Discover Great New Writers series.
- Sales Rank: #1811606 in eBooks
- Published on: 2013-04-12
- Released on: 2013-04-12
- Format: Kindle eBook
From Booklist
This fourth novel by Labiner (Miniatures, 2002) is digressive and self-consciously literary, a puzzle of a book, but it engages one’s attention through staccato prose and a number of interrelated and compelling characters. At the center is best-selling novelist Roman Stone, whose murder propels the story, narrated most prominently by Stone’s former college sidekick, Sheldon Schell, who, along with his twin sister, Eloise, weaves in and out of Stone’s life, which is revealed only obliquely. Sheldon’s and Eloise’s own curious life stories (their parents, too, were killed under mysterious circumstances) and romantic entanglements also feature prominently. Not an easy read, though seemingly influenced by Peter Straub’s modern horror classic Ghost Story, this “existential murder mystery,” as its publisher describes it, will reward attentive readers unbothered by Labiner’s calculatedly enigmatic approach and often strained style. --Mark Levine
Review
"As rewarding as it is challenging, this book is a great alternative to a beach read for those who love literary mysteries . . . Recommended for those who thought that even Gone Girl didn't have enough troubled characters and unforeseen twists."—Library Journal
"[A] puzzle of a book, [Let the Dark Flower Blossom] engages one's attention through staccato prose and a number of interrelated and compelling characters . [T]his 'existential murder mystery' . . . will reward attentive readers."—Booklist
"A dark and truly original work of extraordinary strangeness and beauty."—Emily St. John Mandel
"The joy of Let The Dark Flower Blossom is going on this complicated journey—speculating on the monstrosity of novels with their great narratives of escape, their vastness, their horrors and tragedies—to come to discover what a 'perfect' story is for you. With a wicked sense of humor, a compelling narrative, beautiful lyrical language, and strong characters, Labiner does not disappoint."—Arcadia Magazine
“Let the Dark Flower Blossom thrills in all the right ways: it’s moody, suspenseful, and intellectually exciting. The story defies all expectations and comes replete with the chilly darkness of characters mining what’s long been buried. Norah Labiner is an ambitious artist and this may be the most satisfying novel I’ve read all year.”—Dean Bakopoulos
“Dark and intriguing.”—Kirkus
"A splendid, leisurely meditation on the meaning of fame, identity, and love."—Kirkus Reviews, starred review
"Labiner, narrating in several distinct and haunting voices, proves herself a metafictional adept. She succeeds in crafting an ambitious, poignant and sharp-tongued novel filled with secrets and ghosts, jealousy and love."—Publishers Weekly
"Norah Labiner’s Let the Dark Flower Blossom (Coffee House Press) is a definitely a novel for writers and avid readers. It is one of those intellectually written novels that doesn’t just tell a story in a smart and unique way, it examines the story and all of the aspects that make a story, the elements that a story needs to succeed in a readers mind." —Busking at the Seams
"The complex characters, the oppressive sense of fate, the vivid winter landscape, and, most of all, the challenging questions about the nature of storytelling lingered long after I finished Let the Dark Flower Blossom. . . . [A] tale to be read curled up, surrounded by your own papers and the stories they hold, as the snow falls in the background." —Minerva Rising
"Labiner, with a firm control over events . . . and a fine way with language, presents us with an intellectual murder mystery that seeks to determine how writers’ foibles and eccentricities can be dangerous to themselves and, often, to others."—Quarterly Conversation
"Let the Dark Flower Blossom is wholly original and brilliantly imaginative. . . . The author has created a living narrative, one that almost seems to grow, change, and breathe right before our eyes. It is almost as if Labiner’s story has a mind of its own. You’ll never read a book the same way again."—Gently Read Literature
"I was driven forward by the mystery's peculiar unravelings and . . . by the haunting beauty of Labiner’s writing. [T]he way Let the Dark Flower Blossom encourages reflection on the malleability of memories, and on the stories we make from them, was, for me, one of the great pleasures of the book."—Small Press Picks
"Let the Dark Flower Blossom will subsume you. It’s a protean universe—lush with scandal, violence, and perverse glamour—where everything and nothing is true. . . . As readers we are implicated. As readers we bear guilt. On the rare occasion of novels such as this, our passivity is revoked and we are restored, if monstrously, to power."—KGB Bar Lit Magazine
"Let the Dark Flower Blossom, in addition to being an elegant and sometimes jarring exploration of the malevolent and destructive power that stories can wield, is for most of its duration a page-turning murder mystery."—Star Tribune
"[T]his is a first-rate, highly literate murder mystery, one that proves even more rewarding . . . on a second read."—Minnesota Magazine
"This is a literary thriller about the process of writing, and, like that process, it consists of many good ideas, and some puzzling ones. . . . Labiner rewards, not mocks, the reader's investment in the plot and characters."—Electric Literature
"[A] 'literary ambush'—perfect for a stormy summer night."—Minnesota Monthly
"Labiner's tale first draws a set of compelling characters, and then connects them. . . . Even better, the reader gets to unravel a series of dark secrets and try to solve a murder, or two."—MinnPost
"Let The Dark Flower Blossom [is] Norah Labiner's densely layered, self-reflexive novel that is about much more than just a brother and sister. . . . Labiner demands a lot of her reader, challenges you to reassess your sense of self and to revisit your most important stories, asking the whole time: is this memory true? Does it matter?"—The Philadelphia Review of Books
"Beautifully worded and stylistically arranged, Let the Dark Flower Blossom is an innovative and candid take on the world of writers, relationships, and human nature itself." —The Corresponder
"Labiner’s writing has a perseverative quality, like an incantation. . . . Story and memory become characters in their own right, malleable and unreliable. The novel is either a map or a maze that leads into a fractured gothic tale of guilt, crime, and the distortions of reality and memory." —NewPages
"[I]t’s like a swirling maelstrom of words that will eat your evening, and you will LOVE IT for doing so."—Insatiable Booksluts
"Gothic noir, Greek classics, post-modern disjunction, add a pinch of snails and puppy dog’s tails and you have the page turning quality of a who-done-it."—Drunken Boat
About the Author
Norah Labiner is the author of three novels: Our Sometime Sister, Miniatures, and German for Travelers. She has received a Minnesota Book Award for Literary Fiction, as well as fellowships from the Minnesota State Arts Board, the Bread Loaf Writers’ Conference, and the National Endowment for the Arts. Her work has been recognized by the American Library Association, the Jewish Book Council, and the Barnes & Noble Discover Great New Writers series.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Two Stars Rounded up to Four
By Roger Brunyate
I could easily imagine myself throwing away this book at almost any time, in disgust at its choppy sentence fragments, its repetitions, its passages of pop-fiction lushness, its willful obscurity. It took me almost two days to read fifty pages. But then something took hold; I stayed up late to read as much as I could of the next three hundred pages, and woke up early to finish them. Mind you, the book itself was accelerating by that time. You only have to open it to see; the type is dense on the page at the beginning, while much of the last half is set in four-or-five-word paragraphs like a poem:
Wren was waiting for the story to end.
It was nothing without the ending.
And there was nothing like an ending.
Wren's lips parted.
Her mouth opened.
Wren said, "Oh."
"Ro," she said.
"Oh," she said.
And here I saw.
I could feel.
And see.
What a story could do.
"What a story could do." Yes. For this is a meta-novel: a novel about stories and how stories get written, made up by liars, stolen by other liars, changing each time they are told. But the truth is in there somewhere, and truth can kill. The novel opens with a murder, that of the popular novelist, lothario, and bon-vivant Roman Stone, stabbed in his Iowa hotel room while preparing for a commencement address at his alma mater. The story is told by another novelist (or would-be novelist), his college roommate and sometime sidekick Sheldon Schell. Sheldon has a twin sister, Eloise, who dated Roman for a time at college. And that is just about all I can say about the plot, for Labiner is very canny about what she reveals when. Other characters will come in, of Stone and Schell's generation and the next, but she will keep you in suspense about how they all fit together in this complex puzzle of sexual encounters, stories, and lies. There will be other murders too, buried long in the past, but to say that the truth is elusive does not diminish the pleasure of each subsequent revelation -- or is it merely another permutation of the lies? Schell often quotes the three rules of storytelling: "Be true," "Don't kill off your protagonist," and "Never talk about truth in a true way." Labiner lives by the third of these; she cheerfully breaks the second, and flirts outrageously with the first. But there a certain fascination in her doing so, provided you don't linger too long.
Stone, paper, scissors. There are numerous references to the game and its obvious symbolism: the writer, the writing, and the scissors of Fate. Later in the book, one of the characters takes a literal pair of scissors and cuts a beach photograph in half, angrily separating the man from the woman. She continues to cut and cut, then scatters the fragments into the air. Norah Labiner's novel seems comprised of such fragments, multiplied and repeated. She sweeps them into piles with her witches' broom, the fragments eddying and falling back into new patterns: stories, memories, symbols, rich classical allusions, moments of desire, betrayal, tragedy, and fleeting happiness. It's a crazy way to write a book, but it sure kept me reading!
1 of 1 people found the following review helpful.
Creative, intriguing, unique
By James H. Drummond
Ms. Labiner has once again written a remarkable book. Each is different from the others, and this one is the first "mystery." Like the other three novels it is extremely complex and yet very enjoyable. Her constant literary allusions are a delight, and the characters come alive in a marvelously twisted plot. This book ranks with "My Sometimes Sister, German for Travelers," and even with "Miniatures," which is my favorite. These books are highly entertaining but far, far from being pulp or pop fiction.
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