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The Real Toscanini: Musicians Reveal the Maestro, by Cesare Civetta
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(Amadeus). Lauded by Verdi, Debussy, and other music legends, the celebrated conductor Arturo Toscanini raised the standards of orchestral and operatic performance over an astonishing 69 years on the podium. But as he did so, he acquired a reputation as something of a tyrant, who unleashed an explosive temper at musicians if rehearsals did not meet his expectations. In The Real Toscanini , Cesare Civetta presents an intriguing collection of vivid, one-of-a-kind interviews with artists who performed with Toscanini. A portrait of the inner workings of the maestro emerges through these extensive conversations, conducted by the author over a period of 20 years, together with other firsthand recollections. These accounts clarify Toscanini's philosophy, musical style, and techniques. They depict a man tormented by inner demons of anger and depression, which were easily triggered by his frustration at being unable to produce the musical ideal in his mind's ear. Toscanini is also revealed as a vehement anti-Fascist and an unequivocal opponent of totalitarianism and racism he defied Mussolini and publically opposed Hitler. The book includes a comprehensive account of his 1936 inauguration of what is now known as the Israel Philharmonic, in solidarity with Jewish refugee musicians. Toscanini comes through in this book as a tortured but deeply humane individual who strove to constantly improve a sincere and humble musician who was nevertheless the preeminent maestro of the 20th century.
- Sales Rank: #370544 in eBooks
- Published on: 2012-09-01
- Released on: 2012-09-01
- Format: Kindle eBook
Most helpful customer reviews
11 of 12 people found the following review helpful.
The Real Toscanini: Notes from New York's First Golden Age of Music
By Viola Fan
Cesare Civetta is a conductor by profession and not a writer, so the biographical parts of this book are (thankfully) not overly "writerly." Civetta became interested in learning about Toscanini when his high school band director, who had played trumpet in Toscanini's orchestra, introduced him to Toscanini's Beethoven recordings. He supplemented his reading and listening by interviewing people who knew Toscanini and worked with him. During the 1970s Civetta produced a 35-part interview series on WFUV (Fordham University's radio station), and his guests included members of the NBC Symphony, singers who performed with Toscanini at La Scala as well as at the Metropolitan Opera, and other conductors. He also gathered information privately from people who knew Toscanini and worked with him in various capacities.
This extremely useful book is a thematically organized collection of quotations from 40-50 people (including many people I knew from my days in New York in the late 1970s, so I enjoy "hearing" their voices). Each chapter is divided into subheadings that offer commentary on a given subject from several musicians. The chapter on tempo, for example, includes subheadings that discuss rubato, Toscanini's sense of timing, his clarity of beat, his rhythmic accuracy, tempo in relation to acoustics, and working with soloists. There's a chapter on opera, one on musical architecture, and chapters on balance, baton technique, philosophy, rehearsal style, and recording.
The book is rich with quotations from Alan Shulman, the principal cellist of the NBC Symphony, who was also an excellent composer, the oboist Robert Bloom, the violist Emanuel Vardi, the violinist, Misha Mischakoff (by way of his daughter's book), bassist David Walter, the choral conductor Robert Shaw, and many other musicians. Together they not only describe Toscanini as a conductor and as a human being, but they demonstrate a kind of like-mindedness that permeated Toscanini's musical New York, and informed its first true golden age of music.
6 of 6 people found the following review helpful.
What a revelation!
By Lucas Dawson
Civetta has finally debunked all of the Toscanini myths one by one. Not through his opinions, which he doesn't share, but through the recollections of musicians who have the authority to speak about the maestro because they were there. I highly recommend this book to music students, laymen and professionals, music lovers and experts. There are specific reasons why Toscanini was a legend in his own time and those reasons are explained in great detail here.
3 of 3 people found the following review helpful.
The Real Toscanini: Musicians Reveal the Maestro
By susanv
First of all, it was refreshing to read a book about Toscanini written by a conductor! This is not a biography, but an objective look at Toscanini from the perspectives of musicians who actually played with the great conductor. I especially appreciate that many singers are quoted explaining Toscanini's way with opera. Maestro Civetta brings the reader behind the scenes, to rehearsals, recording sessions, and visits to Toscanini's home. I've come away with a much clearer understanding of why this extraordinary musician was held in such high esteem by his fellow artists.
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