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The Escape Artist, by Judith Katz
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"Katz lives up to her first novel's potential in this moving, funny, wholly original picaresque about a nice Jewish girl. . . . The pasts and common destiny of two remarkable women—related with perfect timing in Sofia's convincing Yiddish-tinged English—come together beautifully in this nicely crafted, emotionally satisfying, and well-researched historical fiction."—Publishers Weekly
“The Escape Artist, a brilliant work of historical fiction . . . fast-paced and gorgeously written novel” —Liberty Press
Set in the brothels and gangster dens of Jewish Buenos Aires at the beginning of the twentieth century, The Escape Artist catapults us into the lives of Sofia Teitelbaum and Hankus Lubarsky.
Sofia, a nice Jewish girl from Poland, is lured away from home by Tutsik Goldenberg, a wealthy traveling businessman who claims to be a lonely Argentine diamond merchant in search of a wife. Upon arriving in Buenos Aires, Tutsik dumps Sofia at his sister’s brothel.
Hankus, also a nice Jewish girl from Poland, is passing as a man. Having escaped the pogroms of Poland that killed her family, she lives her life as a handsome and mysterious magician and escape artist.
When Tutsik spots the talented juggler and acrobat Hankus he envisions success as his manager, seeing Hankus as the means to get out from under his sister’s thumb.
Sofia and Hankus fall in love and their attempts to walk the tightrope of love, freedom, and independence are quickly put to the test.
Sex, deception, magic, and love are the main ingredients of this tour de force novel by Lambda Literary Award winner Judith Katz. In The Escape Artist, Katz reveals that all human interactions consist of love and hate, deception and candor, altruism and self-interest. This is as true in our lives today as it was in an immigrant community at the turn of the last century.
Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound, which won a Lambda Literary Award for Best Lesbian Fiction. She has received Bush Foundation, McKnight Foundation, and National Endowment fellowships for fiction.
- Sales Rank: #1171765 in eBooks
- Published on: 2013-03-15
- Released on: 2013-03-15
- Format: Kindle eBook
Amazon.com Review
Sofia Teitelbaum's parents want to marry her off to a successful, charming, traveling Jewish businessman. The year is 1913, the place is rural Eastern Europe, and Sofia's simple, good hearted parents are in fact duped into handing their girl over to a life of prostitution. But Sofie is resourceful and manages to resurrect a life of her own in the New World where she finds work--and love--with a gender-bending magician named Hankus.
From Booklist
Katz's novel about a Polish Jewish girl in an Argentinian brothel has elements worthy of a made-for-TV movie. The shy Sofia, 13, secretly lusts for her girlfriend but is virtually sold by her poor parents to flashy Tutsik Goldenberg, who promises he will marry her on the ship to the New World. But he has no such intention. Instead, his "aunt" instructs Sofia in the ways of the flesh, preparing her to cater to the lusts of Jewish immigrants fleeing pogroms and World War I. Tutsik's sister, Perle, is the madam who puts the finishing touches on Sofia's carnal education. Later, Tutsik spots the talented juggler and acrobat Hankus, and, anticipating success as the boy's manager, sees him as the means to get out from under his sister's thumb. But Hankus, who eventually meets Sofia, is really a young woman, and . . . This well-paced melodrama should find readers beyond the lesbian fiction audience at which it is primarily aimed. Whitney Scott
From the Back Cover
Set in the brothels and gangster dens of Jewish Buenos Aires at the beginning of the twentieth century, The Escape Artist catapults us into the lives of Sofia Teitelbaum (tricked into prostitution and away from the modest gentility of her Eastern European family), and a handsome, mysterious magician, Hankus - formerly Hannah - Lubarsky (enjoying the freedom of South America after the pogroms of Poland), as they somersault, tumble, and spin their way into an imagined lesbian future together. Written with the bent notes and dizzying rhythms of a klezmer tune, The Escape Artist is a breathtaking, delightful tale, full of spills, chills, and lush language.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Clever Book - Very Readable
By A Customer
Set in the 1900's, young Jewish Lesbian, Sofia Teitelbaum, is taken from her parents home under false circumstances to a bordello in Argentina.
Eventually she encounters a charismatic magician, Hankus Lubarsky, and realizes Hankus is a woman masquerading as a man.
Interesting plot twists & turns develop as the two young lovers, Sofia & Hankus, outwit the Jewish gangsters who are trying to control and exploit both of them.
The book is written in an interesting style, told mainly in the first person by Sofia, it has her relating the story to Hankus. The author also creates scenes that Sofia could not have witnessed personally, but she does so in a very believable way that causes no abrupt break in the storyline.
I found the book quite interesting, and a bit different from the usual lesbian fiction novels I read.
The only reason I did not give it 5 stars was because some of the plotting seemed a bit too lengthy to me before the results are reached,but over all, this is an excellent book, which I highly recommend
5 of 5 people found the following review helpful.
Excellent Writing but Unlikable Characters
By D. Sorel
The novel The Escape Artist by Judith Katz takes place over 17 years and travels from Eastern Europe to Argentina. Sofia Teitelbaum is a young Jewish girl when her poor parents decide to marry her off to a wealthy Jewish businessman who boasts of taking Sofia to Argentina where she will be treated as a princess. The wealthy businessman, Tutsik Goldenberg, is clearly not who he says he is but Sofia's family can not offer her a better life in their Polish town so they agree to the marriage. Before Tutsik and Sofia can be wed, Tutsik takes Sofia to another village where she meets "tante Sara" who pretends to be Tutsik's aunt. Tante Sara, Sofia, and Tutsik board a boat for Argentina on which Tutsik promises to marry Sofia. Of course the marriage does not take place, and instead Sara teaches Sofia about the art of seduction. When they arrive at the dock in Argentina, Sofia is brought to Tutsik's sister's brothel where Sofia will work as a prostitute for three years until she meets Hankus. Hankus, formerly Hannah, has a story of his own which Sofia tells the reader. When Sofia meets Hankus he is already working as a magician and about to take his talent to the big stage. The love between Hankus and Sofia is the crux of the story that leads to betrayal, secrets, and magic.
Katz is simply an excellent writer. She is able to describe a scene with such precision and detail that the reader can almost feel it. In addition, she peppers the text with Yiddish words which deepens the issue of Jewish identity in the novel. However, readers who do not know Yiddish will still understand the text and might even pick up some Yiddish verbiage. The story is written in sections that each have denoted years. One of the sections is specifically Hankus' section. Yet, it is not told by Hankus but instead by Sofia as it was told to her by Hankus. Therefore, she uses the second person when writing this section which is a fantastic technique and works very well in this book.
Overall, the novel was a very good read. Still, I only have it 3.5 stars because I could not sympathize with the characters. Though they certainly developed throughout the novel, they were not likable and at times I could not even understand the love between Sofia and Hankus. However, Katz proves herself to be an excellent writer and I look forward to more works by her in the future.
2 of 2 people found the following review helpful.
A zesty, finely spun tale of survival and triumph in the early 20th century
By Grady Harp
Judith Katz writes like playwright or a screenwriter (and for agents scanning her many reviews this could be construed as a hint that there is a fine film within the covers of this novel!). She is also a brave and gifted novelist who is unafraid to take on issues of same sex love and instead of apologizing for gender differences she celebrates them in a completely professional and endearing way. Her previous novel won the Lambda Literary Award for good reason.
Katz takes us to the year 1913 in Poland where living conditions are dire and family survival can lead parents to make some unwanted decisions about how to live. The Polish Jewish Teitelbaums have decided that their beautiful daughter Sofia should marry a squeaky clean (read sterile) businessman, Tutsik Goldenberg who wears diamond rings and fine clothes and seems a perfect catch for a needy family. Sofia loathes the idea, but even before a proper marriage can be performed she is whisked off with her new `husband' to Buenos Aires, Argentina where instead of marriage Sofia is placed in a brothel owned by Tutsik's evil sister Perle. Just when things appear hopeless Sofia meets the fascinated magician Hankus, likewise a Polish girl escaping the pogroms in Poland, who has been cross-dressing as a man and has been usurped by Tutsik who sees the possibility of `managing' Hankus to compete with and distance himself from his sister's brothel business. As we would expect (and hope) Sofia and Hankus fall in love and the journey to freedom for both of them takes us one a wild ride in the atmosphere of Buenos Aires.
Much of the joy of reading Judith Katz's delightful drama is her liberal use of Jewish terms throughout her story. One minor request would be that she supply translations of those words somehow for those readers unfamiliar with the terminology. This being the second edition of THE ESCAPE ARTIST, gratefully published by Bywater books, there is an essay at book's end written by Emma Parker `Magic, Diaspora, and Klezbian Desire in Judith Katz's `The Escape Artist' that deepens the impact of the book. It begins, `This essay examines the ways in which magic articulates the traumatic effects and transformative potential of migration in Judith Katz's `The Escape Artist', a novel that constructs a woman-centered and queer counter-history of the Jewish diaspora.' It is a fine addendum to a fine novel that should have very wide audience appeal. Grady Harp, August 13
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