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# Download The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis, by Andrew Mattison

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The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis, by Andrew Mattison

The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis, by Andrew Mattison



The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis, by Andrew Mattison

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The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis, by Andrew Mattison

When we read poetry, we tend to believe that we are getting a glimpse of the interior of the poet’s mind—pictures from the poet’s imagination relayed through the representative power of language. But poets themselves sometimes express doubt (usually indirectly) that poetic language has the capability or the purpose of revealing these images. This book examines description in Renaissance poetry, aiming to reveal its complexity and variability, its distinctiveness from prose description, and what it can tell us about Renaissance ways of thinking about the visible world and the poetic mind. Recent criticism has tended to address representation as a product of culture; The Unimagined in the English Renaissance argues to the contrary that attention to description as a literary phenomenon can complicate its cultural context by recognizing the persistent problems of genre and literary history. The book focuses on Sidney, Spenser, Donne, and Milton, who had very different aims as poets but shared a degree of skepticism about imagistic representation. For these poets, description can obscure as much as it makes visible, and can create whole categories of existence that are outside of visibility altogether.

  • Published on: 2012-10-26
  • Released on: 2012-10-26
  • Format: Kindle eBook

Review
This book investigates the representative powers of language in early modern poetry—the powers, limits, and difficulties of description as well as poets' doubts about both the efficacy and virtue of mimesis. Mattison (Univ. of Toledo) offers intensely detailed readings of Spenser, Sidney, Donne, and Milton, looking at repeated images of veils and landscapes and at poetic attempts (especially by Milton) to create a poetic language that offers a glimpse of something beyond mimesis. Though grounded in particular texts, this dense, theoretical book will be heavy going for many. However, Mattison's conclusions are powerful and exceedingly well supported, repaying the attention required. Summing Up: Recommended. Graduate students, researchers. (CHOICE)

In a closely argued study of the limits of mimesis in Renaissance poetic theory and practice, Andrew Mattison challenges some of the dominant trends in early modern studies today. . .The author explores the discrepancies not only between recent literary theory and the aims of Renaissance poetry, but also between Renaissance poetic theory and practice. . . .The book that Mattison has written deserves a wide audience and as close and considerate attention as he bestows on the poets he so admirable and admiringly explores. (Renaissance Quarterly)

Andrew Mattison's The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis argues that the purpose of mimesis overflows beyond mimesis into the unnamed and unseen. The purpose of representation is not to document something but to excite an image in someone else's mind. Mattison is interested in images of scarcity in connection with Spenser's pastoral poetry as linked via melancholy to a dearth of poetic materials, and in the differential perceptions of the Bower of Bliss among its various describes in The Faerie Queene. . . .Mattison is also interested in lyric closure and the ways in which poems refuse to close. (Studies In English Literature, 1500-1900)

This book is about description and image in Renaissance poetry, but focuses not on descriptions that present a vivid image to the reader’s mind but on those that seem to avoid doing so. Against the ancient and still active tradition that poetry is painting in words, it argues that poetry is most poetic—most distinctive from other forms—when its goals are not visual.

About the Author
Andrew Mattison is associate professor of English at the University of Toledo.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Milton's free speech was good because it didn't involve racial slurs
By PassGrass
This is one of those books I like to keep near the throne when I know it's going to take a while and I want to think about things not related to my own biological functions. Milton is my republican hero, even more so than Abraham Lincoln and George W. Bush. It's too bad he never wrote on the issue of marijuana because I bet he was all for it if you know what I mean. I especially admire his ideas on free speech and sexual relations. Sometimes I read the part in Paradise Lost where the angels have sex, over and over to the point where it's probably not healthy. The cover on the book is really sturdy. I've dropped it into my cat's litter box several times already and a few moist towelettes get most of the brown residue and smell off of it without damaging the print. I let my friend borrow it for a few weeks and I don't even want to tell you what he was doing with it, but I was able to get most of those stains off it too. For some reason he was around a bunch of goats and let me tell you they are definitely not clean animals judging from the mess they left on my copy of this book. Congratulations to the author and for the publisher selling a quality cover on the book. I would recommend it to anyone.

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