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The Beggar's Opera and Polly (Oxford World's Classics), by John Gay
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'Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.'
With The Beggar's Opera (1728), John Gay created one of the most enduringly popular works in English theatre history, and invented a new dramatic form, the ballad opera. Gay's daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation. Captain Macheath and Polly Peachum have become famous well beyond the confines of Gay's original play, and in its sequel,
Polly, banned in Gay's lifetime, their adventures continue in the West Indies. With a cross-dressing heroine and a cast of female adventurers, pirates, Indian princes, rebel slaves, and rapacious landowners, Polly lays bare a culture in which all human relationships are reduced to commercial transactions.
Raucous, lyrical, witty, ironic and tragic by turns, The Beggar's Opera and Polly - published together here for the first time - offer a scathing and ebullient portrait of a society in which statesmen and outlaws, colonialists and pirates, are impossible to tell apart.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #1181846 in eBooks
- Published on: 2013-05-09
- Released on: 2013-05-09
- Format: Kindle eBook
About the Author
Hal Gladfelder is the author of Criminality and Narrative in Eighteenth-Century England: Beyond the Law (Johns Hopkins, 2001) and an edition of Cleland's Memoirs of a Coxcomb (Broadview, 2005). His most recent book is a study of Cleland's life and career, Fanny Hill in Bombay: The Making and Unmaking of John Cleland (Johns Hopkins, 2012).
Most helpful customer reviews
3 of 3 people found the following review helpful.
The birth of the comic opera
By P. McCauley
These plays offer up a bold mixture of political satire, lyrical poetry, social issues, family values, colonialism, gender roles and racial discrimination; with a number of popular folk tunes and ballads interspersed throughout. It's no wonder that 'The Beggar's Opera' ended up creating its own genre: the comic opera.
'The Beggar's Opera' takes place in London's underworld, following thieves and prostitutes, as the local fence and informant Peachum attempts to have his new son-in-law (the highwayman Macheath) hanged. Macheath repeatedly seduces women to help him evade capture and escape, but is constantly betrayed at each turn by his fellow criminals. In the end the Beggar (the playwright) has to be asked to come out and save his hero, so as to give the audience a happy ending.
The sequel 'Polly' takes place in the West Indies, as Polly Peachum attempts to find her now transported husband Macheath in the middle of a revolt. This play was in fact banned by the Lord Chamberlain before it was ever performed. It survived in published form and was not performed on the stage until over forty years after Gay's death.
While these plays are enjoyable enough to read and study as a text, they were definitely written to be enjoyed as a performance.
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